Showing posts with label trees. Show all posts
Showing posts with label trees. Show all posts

Wednesday, January 2, 2008

Celebrate 2008 with Trees

Festival of the Trees
The ball has dropped and the champagne has gone flat, but there’s still time to get your New Year off to a great start with some fine reading and photos at the 19th edition of The Festival of the Trees. This month’s host is Hoarded Ordinaries, a blog worth your time if only to discover what the author means by “Mundane Musings from a Collector of the Quotidian." There’s nothing ordinary about the stunning photos of a solstice tree at Frizzy Logic, Renaissance tree poetry at Via Negative, or “Read It and Weep,” a review of The Golden Spruce from sarala. Click around to find your own favorite entries.

If you enjoy this festival, check out past editions at the coordinating site for the Festival. And make plans to contribute your own tree-philic musings, quotidian or otherwise, to the next version at Ginko Dreams. Happy 2008!

Friday, August 3, 2007

Festival of Trees #14

This looks like an extra-hot weekend coming up, and my family is heading to Pennsylvania to visit Penn's Cave. But if you can't escape to a cool, dark cavern, try sitting under a tree with your laptop, perusing the 14th edition of the Festival of Trees, over at Via Negative. Though that wide-ranging blog is usually hosted by talented writer/photographer Dave Bonta, he graciously invited a rather erudite katydid to narrate the festival in celebration of the height of summer.

Dave's katydid sings the praises of blog posts ranging from straight facts on tree species and practicalities of tree planting to poetry and poetic photo images. One of my favorite festival participants is a blog new to me--Trees, If You Please--with an entry featuring evocative tree paintings by Emily Leonard. Any blog author whose "about me" states "I love trees. That's really what it's all about" is bound to win Pines Above Snow's heart. Thanks, Katy (& Dave).

Sunday, July 1, 2007

The Tree No One Knew


A cherry orchard of one enlivens the left side of our small backyard. Technically, the tree (Prunus cerasus) belongs to our neighbor, but his benign disinterest in its sour fruit yields us much more than my husband’s juicy June pies.

“I awoke every morning happy, looking out at the orchard—“ says Lyubov Andreyevna, the cherry orchard’s owner in Chekhov’s eponymous play. “ This wonderful orchard! Those masses of white flowers, the blue sky . . . “ I feel that same elation each April when our tree blooms, signaling spring of course with open windows and songs of arriving birds. A bluebird pair ignores the blossoms, but they always pick the nest box under the cherry’s shade instead of one near the holly across the yard.


Busy with soccer, recitals, and the end-of-school rush, I can’t watch the fruit slowly grow and ripen. But the birds will tell us when it’s ready. This spring, a catbird’s grating tcheck-tcheck brought the news. Blue jays, crows, robins, and a lone male cardinal soon joined him, and I sent the children outside to pick our share. The feel, the smell, the taste of free fruit brings out the wild in my kids, and they stretch, grasp, jump, and climb to reach the best. There’s some happy bickering over who will hold the bowl, who will assault the tree.

But the happiest gleaners of all may be the squirrels. They ripple across the grass from all directions and scramble through the limbs all day. Dangling by their toes on bowing branchlets, they risk life itself to snatch one more red morsel into their cheeks. I can imagine an aging mother squirrel, after a lifetime of springs sharing cherries with her kits, also sharing Lyubov Andreyevna’s emotion, “My dear, sweet beautiful orchard! My life, my youth, my happiness.”


Last Saturday, we traded our view of the cherry for a day of my daughters’ dance performances. By evening, the cherry looked a bit bare but still bustling. In our absence, though, the neighbor on our right had mangled his American holly. Long past dusk, he hacked and swore in the heat, and by morning, all that remained of the 20-foot beauty was a tall, knotty stump. I’d never paid much attention to the holly, never noted the birds that ate its red berries or hid among its sharp leaves. My dislike of that neighbor’s hard-edged, exotic plant-dominated landscaping has led me to look the other way.


But the stump reminds me of the perils of turning your head, a sin David Brower explicates in his book on the destruction of Glen Canyon, The Place No One Knew. Illustrated by Elliott Porter’s luminous photographs, the book records pink rocks, purple sands, massive walls, and shimmering vistas, all inundated by a hydroelectric power project in the 1960s. As Brower laments, “Neither you nor I, nor anyone else knew it well enough to insist that at all costs it should endure.” Brower blamed himself for not lobbying Congress personally, for not rallying the Sierra Club to launch a nationwide campaign so save the Canyon.

What could I do to convince a neighbor not to chop down a healthy tree? How could I communicate with someone who holds such different values? I ask myself, should I even speak out when we live so closely packed and must get along? These are questions environmentalists face every day, in large and small scale dilemmas. I look at the holly stump with grief and regret, at the cherry with joy and fear.

Lyubov Andreyevna at least owned her orchard, though financial reversals forced her to sell and flee before the axes fell. She mourned, “Oh, my orchard. My dear sweet beautiful orchard! . . . Farewell. Farewell!” And in my backyard this morning, a chainsaw is whirring, stage right. Curtain.

Friday, March 23, 2007

Our Pines Now Paper

My love for Aldo Leopold's pine trees may seem absurd to some. After all, I've never seen them, and they are, some would say, just trees. The fact that Leopold and his family planted them as part of their personal campaign to rehabilitate a patch of farmed-out Wisconsin may not impress my detractors, either. But I like to think that any reader, tree-philic or not, would value those particular trees after reading Leopold's reflections in his essay, "Pines Above the Snow." Since reading those passages in A Sand County Almanac, I have known just what Leopold means when he says, "I love all trees, but I am in love with pines."

So it was with trepidation that I read the cover article in the latest newsletter of The Aldo Leopold Foundation, "Printed on Pine: A Special Edition of A Sand County Almanac." Managers of Leopold's land decided that the pine stand needed thinning "to promote the health and longevity of the strongest trees," and the felled trees have been crafted into beams for the new Aldo Leopold Legacy Center, opening April 22 in Baraboo. Wood pulp from the harvest has also been processed into paper to print a unique edition of Leopold's Almanac.

The paper was processed with an experimental technique without chlorine or sulfer treatments, then mixed with pulp from other types of trees to create archival quality paper. And money from the limited edition hardcover, priced tentatively at $750, will benefit the Foundation's educational and land stewardship efforts. I think that Leopold, who advocated sustained use, not naive preservation, would approve of this thoughtful step toward sustaining his land and legacy. And with his fine, philosphical mind, honed by many strokes of his ax, he could even have watched the careful harvest. But while I'd love to own one of those special books, I'm glad I was too far away to see those pine trees fall.